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T/05 lorenzo Mattotti al finire della notte

€ 16,00

 

 

LORENZO MATTOTTI

AT THE END OF THE NIGHT

A man, a bed, an immersion in the night. In what dreams is he shipwrecked? What dreams did he live in that plain, in that sea, in that color?

At the end of the night a man, while he was tying his shoes, with his back bent, had the sensation that, behind him, the bed on which he was sitting had widened, enlarged. That it had become huge: a plain, a sea, a color; a vast surface capable of enclosing the entire night he had just spent, with all the dreams, nightmares and mysteries.

Cover in silkscreen printing – four-color printing – Pages 80 Euro 14.00

Out of stock

Category: SLIDE A TRIBUTE TO EYES
  • Description

Description

From the preface by Lorenzo Mattotti for Notes on the landscape, Edizioni Tricromia 2008 Rome

Lorenzo Mattotti , one of the most important Italian illustrators and cartoonists. He made his debut in the late seventies as a comic book author, and in the early eighties he founded, with other designers, the Valvoline Group. In 1984 he made Fuochi which, welcomed as an event in the world of comics, has won important international awards. With Accidents , Mr. Spartacus , Doctor Nefasto , The Man at the Window and many other illustrated books, up to Stigmata , Mattotti’s work has evolved according to a constant of great coherence, but in the eclectic sign of those who always choose to try themselves in the new.

Lorenzo Mattotti’s books are translated all over the world. He has published illustrations and covers in newspapers and magazines such as “The New Yorker”, “Le Monde”, “Das Magazin”, “Nouvel Observateur”, “Corriere della Sera”, “Repubblica” and “Vanity Fair”. For his childhood he illustrated various books including Pinocchio and Eugenio who won, in 1993, the Bratislava Grand Prix, one of the highest awards in children’s publishing. .

 

 

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TRICROMIA ILLUSTRATOR’S INTERNATIONAL ART GALLERY

Founded in 1990, for thirty years it has been promoting illustrators and cartoonists with passion and a playful spirit. She has never been satisfied with the evanescence of an exhibition, always “for a fixed period”, implementing constant care in immortalizing the movement of the images that rest on the white walls of the gallery and then take other directions, fly elsewhere. Artists such as Mattotti, Muñoz, Toppi, Pericoli, Altan, Mannelli, Ricci, and many emerging young people, were discovered and presented by Giuseppina Frassino who in the gallery, whose historic headquarters was for years in Via di Panico first and then in Via della Barchetta, has imbued the Roman artistic life with events and exhibitions dedicated to the world of illustration. In recent years, Tricromia has made a further investment in favor of artists, becoming an art editor. Together with the authors he decided to “fix” the beauty of their drawings in publications, mainly books, but also precious boxes, papers and author’s notebooks and even a theater. The first graphic project of the Tricromia books was by Stefano Ricci, now the design is entrusted to Sara Verdone who takes care of the entire graphic image of the gallery.

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