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09 – PARTICOLARE

In un luogo sospeso tra fede e superstizione, il porco va battezzato.

Pagine gonfie di ombre portano alla luce una vicenda di vanagloria e superstizione. Una storia in cui l’assurdo diviene ordinario e il bene e il male trovano (quasi) sempre il modo di mettersi d’accordo.

Dove la terra chiede ogni giorno il suo tributo di fatica, il paese assiste da dietro le persiane alla trasformazione della carne. Il porco va battezzato: con l’acqua santa il malocchio se ne andrà e la sua carne sarà carne di cristiano, libera dalla piaga. Non c’è altra soluzione.

I disegni in mostra sono tratte dal volume edito da MalEdizioni, una piccola officina editoriale di Brescia che si occupa di fumetto e illustrazione.

Category: samuele canestrari-il battesimo del porco
  • Description

Description

Samuele Canestrari è nato a Fano nel 1996 riesce, pur giovanissimo, a trascinare quasi corporalmente i fruitori dentro il mondo bidimensionale, come se le due dimensioni fossero un’apparenza che resta tale solo da lontano. Quando ci si affaccia alle sue tavole, basta un attimo e si è subito lì, dentro questo mare opaco, spesso, popolato di visi segnati dalle occhiaie e dai sentimenti: dentro questi paesi lambiti dal vento e dalla sospensione del tempo. L’Italia degli anni Cinquanta si mescola ad atmosfere da X-Files, film di Lynch o sceneggiati come il «Ligabue» con Flavio Bucci degli anni Settanta.

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TRICROMIA ILLUSTRATOR’S INTERNATIONAL ART GALLERY

Founded in 1990, for thirty years it has been promoting illustrators and cartoonists with passion and a playful spirit. She has never been satisfied with the evanescence of an exhibition, always “for a fixed period”, implementing constant care in immortalizing the movement of the images that rest on the white walls of the gallery and then take other directions, fly elsewhere. Artists such as Mattotti, Muñoz, Toppi, Pericoli, Altan, Mannelli, Ricci, and many emerging young people, were discovered and presented by Giuseppina Frassino who in the gallery, whose historic headquarters was for years in Via di Panico first and then in Via della Barchetta, has imbued the Roman artistic life with events and exhibitions dedicated to the world of illustration. In recent years, Tricromia has made a further investment in favor of artists, becoming an art editor. Together with the authors he decided to “fix” the beauty of their drawings in publications, mainly books, but also precious boxes, papers and author’s notebooks and even a theater. The first graphic project of the Tricromia books was by Stefano Ricci, now the design is entrusted to Sara Verdone who takes care of the entire graphic image of the gallery.

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