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Lorenzo Mattotti studio per moda china 02

Lorenzo Mattotti,  Moda

china cm. 32×25

 

 

 

 

Categories: A TRIBUTE TO EYES, a tribute to eyes evidenza, Lorenzo Mattotti (Works), SLIDE A TRIBUTE TO EYES, Opere Tags: Bacinema, Lorenzo Mattotti
  • Description

Description

 
The collaboration of Tricromia with Lorenzo Mattotti in the years beyond the exhibitions has accompanied the publication of four books in black and white.

Lorenzo Mattotti thus introduces the inks Notes on the landscape , collected in the publication that takes its name from the exhibition, published by Tricromia in 2008. A book that allowed us to fix the beauty of his intense and visionary inks.

I loved looking at landscape paintings. Starting with Friedrich, passing through the itinerant people, I have always had a bit of fear of facing the landscape as a subject. I have always designed places that were related to the characters and the story I was telling. Only during my trip to Patagonia did I ask myself the problem of how to translate the emotions I experienced in relation to that space and afterwards the desire to draw other landscapes became more and more pressing. […]

A dreamlike journey already started in the 2006 exhibition, entitled At the end of the night. The poetics of both the works on display and in the same 2006 edition “At the end of the night” introduces us to a succession of tables of a man, a bed, an immersion in the night. In what dreams did he shipwreck? What dreams did he live in that plain, in that sea, in that color?

The “ghost in the room” of 2002 was followed by the book “La stanza” published in 2004. She participated in the Bacinema project, conceived by Tiziana Cino, the kiss in the cinema with several authors with a preface by Vincenzo Mollica and Ferruccio Giromini with the film “in the mood for love” 2000 with Tony Leung and Maggie Cheung by Won Kar-Wai

 

 

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TRICROMIA ILLUSTRATOR’S INTERNATIONAL ART GALLERY

Founded in 1990, for thirty years it has been promoting illustrators and cartoonists with passion and a playful spirit. She has never been satisfied with the evanescence of an exhibition, always “for a fixed period”, implementing constant care in immortalizing the movement of the images that rest on the white walls of the gallery and then take other directions, fly elsewhere. Artists such as Mattotti, Muñoz, Toppi, Pericoli, Altan, Mannelli, Ricci, and many emerging young people, were discovered and presented by Giuseppina Frassino who in the gallery, whose historic headquarters was for years in Via di Panico first and then in Via della Barchetta, has imbued the Roman artistic life with events and exhibitions dedicated to the world of illustration. In recent years, Tricromia has made a further investment in favor of artists, becoming an art editor. Together with the authors he decided to “fix” the beauty of their drawings in publications, mainly books, but also precious boxes, papers and author’s notebooks and even a theater. The first graphic project of the Tricromia books was by Stefano Ricci, now the design is entrusted to Sara Verdone who takes care of the entire graphic image of the gallery.

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Dylan Dog La fine dell’oscurità tav. 79Lorenzo Mattotti studio per moda china 01
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